Sabbatical, Year Two…

and now what? Where to go what to do?

There is unspent energy out there, energy waiting to go somewhere, energy that exists without a goal. There are people waiting in the wings while the stage is full, just watching. There is old and there is new but nothing in between.

Times are tough. If you’re a Priest and you have a reasonably good situation then you hold on for all its worth, especially if you’re not financially able to retire or haven’t really prepared. If you’re a seminarian you know you’ll probably get something, anything, because the Church has paid your way and there’s an interest in return on investment. But there’s nothing else.

If you’ve been out of the loop for even a short time there is really nowhere to go. No one is retiring and anything that comes open goes to the kids. I understand this. I was warned about this when I asked for a sabbatical. Yet its still hard to be floating somewhere in the middle, attached but not grounded, needed in some way but without really knowing for sure. Harder still if you’ve been too busy to develop the kind of corporate connections you thought you wouldn’t need because this is the Church.

The truth is that the grass is always greener on the other side. There are Priests out there who probably feel trapped in their own parishes but have no way of reasonably getting out at this time. So they mark the days and envy those of us not really tied down to a parish and the freedom that comes with it. Meanwhile there probably are others who look at life in a settled parish with a certain kind of envy as well. Its hard to be trained to do something and then find yourself unable to do it.

Ideally, I think, it would be nice if there was a wave of support for developing new parishes that could soak up some of the people and the energy of those who are temporarily out of the loop. Yet parishes are having a hard time keeping afloat themselves and so supporting a mission is problematic.

Its possible, as well, that a glut of Priests could be the catalyst for conceiving of priestly ministry in ways outside of the parish pastorate. What other things could Priests do as Priests in the world outside the parish walls? The possibilities seem to be there but can the wineskins hold the new wine?

As for myself I rested, relaxed, found a home here in the Twin Cities and then, realizing that the usual doors for ministry were at least temporarily closed decided to make my own way. The door that opened was music and I’m walking through. I have no idea if I’ll get that letter in the mail from a Bishop requesting my service. I’m in the bubble, not a seminarian who will get a parish or a senior pastor well rooted so I’m not holding my breath. Yet the music door is wide open and i can get into places and serve people with my bass guitar in ways that I could never do with my collar.

So I play, here, there, and everywhere. It keeps me busy. It keeps me doing things for God and others. Who knows? One day it may provide me with a living. The point is ministry is ministry whether I’m serving at the altar or up on stage singing about God. That, in the end, seems to be the answer, just be faithful with whatever gifts you have and lets the details rest in higher hands, not just the Bishops.

For Those of You…

who’ve wondered about the band I play in you can see some very rough video of tonight’s show in River Falls, WI, on Facebook. Just go to Facebook and search for “The Redemption Alley Band”.

I'd Like to Think..

that every song sung, every word given, every testimony shared, and every thought considered about God is somehow still out there, not in the charts perhaps but in the heavens.

I imagine, as well, that heaven is full of beautiful music, music from every place and every era of the world. As long as people have had voices and instruments it seems they have sung with their heads towards the sky and I’d like to think that some of that makes its way to God’s presence. I suppose at first everything would sound like noise until its focus made everything clear and its harmonies emerge.

Maybe at least part of what makes heaven heaven is that we’ll all be, by God’s grace, virtuosos of one kind or another.

Bars Make Me Sad…

they just do. I love playing music. I enjoy being with friends. Yet if that entitles being at a bar it doesn’t take very long before the air feels heavy and the whole thing seems like a waste of time. I want to play but why should I entertain you as you’re killing brain cells and pretending you’re happy? Music is great but is it that good when it’s all about helping people whizz their life away? Every time I drop in to one to get some stage time I always promise myself “Never again” and I feel like I need to just sit in church for a couple of hours to get the bad juju off my body. The question seems to be how to be present in such places for all the right reasons without getting any of the smell, as it were, on me. I haven’t figured that out yet.

The Upright Bass…

has a sound that simply is not possible to mimic electronically. It has, as well, a presence that its electric brothers lack. Played with passion, and in the right context, its depth has the power to make or break a composition. Guitars may be the stars but the bass line is essential for people to feel, and not just hear, the music. When you play the bass you are the power behind the dance.

These great gifts, though, come with a cost. From the fingering to the transportation the upright bass is a physically demanding instrument. Not particularly heavy but tall and wide the upright bass is less a tool than a partner. It stands by and with you and is never held per se but balanced by being attached to you. The strings are resonant, but thick, and your fingers must be strong. It is graceful in its own way but not easily moved. You extract sound from it and it takes energy from you.

And when you’re done, you can ache. To work the magic of the bass the player themselves must work, not just fingers or lips but the whole of a body, arms, shoulder, legs to stand, and a core for the energy that becomes sound. Everything goes into every note and when the lights go down and the stage is empty the effort is noted in every muscle used.

This Monday morning a good deal of last night’s nearly four hours of music is with me. The notes are in my head. The good company is in my heart. And my shoulders? They remind me that I play the upright bass. Such is the life of the guy in the back next to the drummer.